I published four reviews on ‘Riley on Film’ last week. My impressions ranged from “This is a character study in evil” to “why was this made?” You’ll find the posters below. click on each one you want to read my review of. the inly one I can’t recommend is ‘Elvis and Nixon.’ Read why. The other 3 are amazing films and I recommend them.
Starring: Michael Shannon, Kevin Spacey, Alex Pettyfer, Johnny Knoxville, Colin Hanks, Evan Peters, Sky Ferreira, Tracy Letts, Tate Donovan, Ashley Benson
Genres: Comedy, History
Directed By: Liza Johnson
Studio: Bleecker Street Media/Amazon
I agree it’s out of the ordinary that a rock icon and a President met in the White House Oval Office. I don’t agree it was extraordinary enough to make a feature-length film, Elvis and Nixon, about the meeting. Only the cast is impressive but their talent is wasted on a piss poor script.
On other matters, the casting is not even remotely fitting. Kevin Spacey doesn’t have the demeanor nor the voice of Nixon and Michael Shannon as Elvis is about as arresting as his one Karate move he shares a few times.
This is an Amazon film that many critics are shocked was made at all. It was a ridiculous way to spend a couple of hours but there is nothing clever or shocking to share about it. Can I just ask why was Michael Shannon, one of my favorite actors, playing a supposed based on a true story narrative of Elvis? These guys belong together in a Superman movie but not this.
I really can’t recommend this film. Whatever it set out to do was a mystery so I can’t say it achieved its goal. If this is the quality we are to expect from Amazon films, I’ll be wary of what I select.
Anticipation was high for my wife and I going in to see this film. After about 20 minutes, it wore off. After 40 minutes, we had very little idea what was going on. When there was a bout 20 minutes left to the end, we walked out.
Liam Hemsworth, Jeff Goldblum, Bill Pullman
Nicolas Wright, James A. Woods, Dean Devlin, Roland Emmerich, James Vanderbilt, Dean Devlin
Action, Adventure, Sci-Fi
Riley’s Rating: 1]
The film started in sort of a cool way. It was the type of sci fi beginning that brings you up to speed. At some point in the movie however my wife and I just lost all hope of having an interest and we walked out. Please know that we rarely walk out of movies. In over 13 years of marriage and seeing films, we’ve done it 2-3 times I think. You may know that feeling when you realize it just can’t improve.
The Basic story is that 20 years have passed since aliens nearly destroyed the Earth in the first film Independence Day. The Earth has had a lot of time to build up its defenses but will it be enough when the aliens do return in Independence Day 2.
It’s not meant to be a funny or nonsense movie but I have a feeling comedians and critics will be pulling funny material for routines and columns for decades. Take a few of these particulars for example: Liam Hemsworth’s character pees on a dead alien, there is an alien prison at Area 51, Bill Pullman goes (in a matter of an hour) from a lock down mental health facility to giving national military advice, and the queen alien is supposed to be as big as half the Atlantic ocean. Let me remind you of what I listed in the writers section: there were 6 professional writers for this film. Process that for a minute … 6. When I research most my reviews there is 1 writer, 3 tops.
Speaking of time spent on reviews, there are a slough of reviews out there on this movie that have done a lot more homework than I. I had high hopes for this film since my wife is a fan of the first one and we wanted to see what happened in the sequel. What we got instead was a convoluted mess that barely made sense and first and whirled out of control quickly to where neither of us knew what was happening.
Could it be the director was hoping for the pro-war, pro-military crowd to dance a jog just for the sake of kicking alien ass? I apologize if that offends anyone but I am really grasping in the dark to find a motive for making this film. I haven’t said this in a review for a while, I do not recommend this film to you. The end leaves room for a sequel so perhaps they’ll produce something better next time. Too bad they missed the mark with this one.
Watching “The Congressman” I was taken back by the video images of a sleepy Maine fishing town and impressed by the acting skills of Treat Williams.
There is care given to capture sunsets, active fishing expeditions, and more. There is one sunset that is unforgettable.
This film is about a Congressman named Charlie Winship, played by Treat Williams who is known for Hair and Deep Rising, among many other television and film roles. Charlie has a bad day when he is captured on iphone video sitting wile the rest of Congress is doing the pledge of allegiance. In our viral world, it gets publicizes fast and Charlie gets a lot of judgement for what he did. It gets a lot worse before it gets better and the idea presented is that we tend to worship rituals instead of concepts of freedom.
Charlie retreats to an island off the coast of Maine and while there he recovers the small town values that once made up his political his platform. He connects with a woman, Rae Blanchard, played by Elizabeth Marvel. She is very important in his return to his previous morals about Freedom. The film moves around rather quickly with not too much time on any one person. It focuses a spotlight on an issue and then moves on leaving the viewer to form her/his own opinions.
This may be seen by some as a “light hearted” film that doesn’t make any grand stadium statements. The other reason to see this film is Treat Williams’ performance. He speaks with such seasoned ease in acting. He delivers his line as though he were an actual congressman. It’s a great film to watch and internalize at the theater or on Video On Demand where you can find it now. For the reasons stated above, I hope many get to see and enjoy this film.
Directors: Jared Martin, Robert Mrazek
Writer: Robert Mrazek
Stars: Treat Williams, Elizabeth Marvel, Ryan Merriman
R | 1h 38min | Drama
“The people you love, they’re the only ones who can hurt you.” -Anne Morris
According the “The Loft” movie, it’s every man’s dream to have a cave or a loft where he can do whatever he wants, including cheating on his wife (or girlfriend). I say no thanks, even in a movie. The idea of cheating is only somewhat interesting to me. “The Loft” explores it. Then again, maybe the movie is meant to show us the consequences of such actions.
as Vincent Stevens
as Chris Vanowen
as Luke Seacord
Mystery, Romance, Thriller
My favorite aspect of this movie isn’t the subject matter but rather the mystery woven through. In the first scenes we see a body fall out of the loft onto a car. The viewer is given clues but the key to the mystery about that body takes a real sleuth.
For me, this was almost a good tv movie but it shouldn’t be a cinema film. It had all the trappings of an Zach Galafinakis/Bradley Cooper drunken comedy ony there aren’t any jokes and we certainly aren’t meant to shake our fists and say “Hell yeah, have another shot.”
While I’m on that subject of men partying, I want to share with you I feel so disenfranchised from films like this. I don’t have friends who are pouring vodka down my throat and hooking me up with centerfolds. Why do we see this so much in movies like this?
The concept here is that a group of men share the rent on a secret loft penthouse style apartment. The understanding is that they can cheat on their significant other without being caught. Well, there is a murder and seemingly another death that may be suicide (the falling body onto the car). You get a lot of clues, some are obvious the others more cryptic. Nonetheless, it is a well woven mystery and I would recommend it on that basis alone. The characters, their lines, the story besides the mystery, unbelievable for me anyway. I don’t know what kind of dudes you run with but these ‘aint my peeps. If you liked it, let me know why? Like I said, it was an alright mystery.
My Rating: 7/10
Andy Samberg, Katie Crown, Kelsey Grammer
Nicholas Stoller, Doug Sweetland
Animation, Adventure, Comedy
89min (and no more, thankfully)
Storks landed in my local theater tonight and I was there with my 2 daughters ages 9 and 11. By the way, I’m 47. I’m happy to report the 9 and 11 year-olds loved the film. I was only somewhat impressed.
IMDB gives this synopsis: Storks have moved on from delivering babies to packages. But when an order for a baby appears, the best delivery stork must scramble to fix the error by delivering the baby.
If that sounds like a convoluted story, you don’t know the half of it.
Kids will like it though.
This film has been promoted in theater trailers and internet for what seems like a year at least. I think the makers felt the title would resonate in so many people’s childhood memories that they would mark the premiere date on their calendar as well as their Google alerts. As old as I am, my parents never told me anything about storks bringing babies. If any parents needed an explanation, it was them. I’m the oldest of 4 siblings and I was intelligent and very inquisitive as a kid. Thankfully for me, they shared the truth about how babies are made and how they come into the world at a reasonable age: no need for storks.
My dad on the other hand did get the stork story when he was a kid. I sent him a text after the movie joking that he should see this film. Maybe he’ll get it. I think this film assumed the audience knew this dishonest legend that parents used to tell their kids. It’s ironic how parents in the 1940’s needed storks to explain the mystery of childbirth to children. After this movie, a lot of parents will have to explain the mystery of the storks in the movie through the actual explanation of birth.
But, enough about the weird stork angle, let me tell you 2 things that do work in the film. 1) The babies. The first strong impression I recall of a baby in an animated film is Jack Jack in The Incredibles. He is a firecracker. I loved the way he giggled as he was blurting out superpowers. I think he stands out in all our minds as a movie baby we won’t forget. The babies in this film are amazing in a similar way. Their voices are perfectly timed with deft CGI artistry. This makes them extremely cute and loveable. The best aspect is the laughs. Their laughs make the Pilsbury doughboy sound stand-offish. They invite you to love them. I wouldn’t be surprised if a lot of merch comes from this film. 2) SOME of the jokes. There is a small bird who is a sort of pseudo-nemesis. He is very funny. Some of the jokes lag too much though. I was surprised this film was so flat in its humor after having been in production for a year or more. Usually they test things like that with focus groups etc. This film feels “off the cuff” a lot. Moreover, so much is predictable because we have seen all this before.
Having said that …
Kids will like it. To them, I recommend it. All else, tell me what you think. I think I could have skipped this one and not have missed much.
My Rating: 6/10 – Mickey Rourke is an irresistible performer. I’ve been watching his movies since I was a kid and his presence in movies had drawn audiences for years and up to the present day. Is Ashby a welcome presence? Hmmm.
Mickey Rourke, Nat Wolff, Emma Roberts
Comedy, Drama, Romance
Ashby is one of those movies you keep questioning whether it’s an independent or major studio motion picture. You think it must suck as the latter and might be hip and cool if it’s the former. Turns out, neither platform can save this film, it comes up empty on several levels.
The premise is that a High-school student Ed Wallis (Nat Wolff) enters into a friendship with his neighbor, Ashby, (Mickey Rourke) a retired CIA assassin who only has a few months left to live.
The basic plot bears similarities to Scent of a Woman. The main difference is that Mickey Rourke doesn’t play the role as deftly as Al Pacino. In fact, his character is boring and without charisma. It’s hard to believe we are watching the same Mickey Rourke that kicked ass in Iron Man 2. Maybe he came off as lucid there because he was playing with a thick accent. His character could have been performed much better. The film’s biggest weakness is in him being mis-cast. He’s a great actor and I have huge respect for him. Another film I truly loved him in was The Wrestler. This is not The Wrestler. Unfortunately his performance falls short and almost nonsensical in this film. The romance present in the film can’t save it either. Emma Roberts and Nat Wolff are both charming but the other story overshadows everything and mostly, you want to forget it. I actually chose to watch this film because it was a romance but I think that is another “mis” in the movie along with miscast: a mislabeled.
It’s a fun idea for a story and for a while, I wanted to see what was going to happen. Soon however I lost interest in the characters and the predictable story unraveling before me. When a high school kid is mentored by an old dude, cool things can happen. I guess the trouble here is that not enough cool things happen. The film weaves a high school film into a hit-man drama with another “coming of age” cord woven in. If each were like seasoning, I’d say each overpowers the other. Nothing is subtle. I’ll be a Mickey Rourke fan to the end but this is not one of his films I can wholeheartedly recommend. I wanted deeper, more rounded characters and a better story. I see what they tried to do but in the end they missed it. It’s not a total bomb so if you are a fan, you may enjoy it because hey … it’s MICKEY ROURKE! Still, Ashby doesn’t pack the punch of some of his other hit films.