The Greasy Strangler (2016)

The Greasy Strangler (2016)
Unrated | 1h 33min | Comedy, Horror | 7 October 2016 (USA)
Ronnie runs a Disco walking tour with his son, Brayden. When a sexy woman takes the tour, it begins a competition between father and son for her love. It also signals the arrival of an oily strangler who stalks the streets at night.
Director: Jim Hosking
Writers: Toby Harvard, Jim Hosking
Stars: Michael St. Michaels, Sky Elobar, Elizabeth De Razzo

Every thing director Jim Hosking makes is odd, but then, that’s the intent. Some directors are thought odd for simply making their movie. With Hosking, he has a history of winning British awards for being odd and yes, he does it well here.

Actors Michael St. Michaels, Sky Elobar, and Elizabeth De Razzo really own this film. Their interplay gives the film it’s ambiance and tone. The father is just a complete psycho and not be trusted. The son is a meek but probably equal oddball and the “girlfriend” is innocent definitely a top notch actress to pull this tweaked and weird role off.

You will see farts and cussing and downright disgusting images. You’ll see male frontal nudity … a lot of it. As the father and son work at their disco tour business, you’ll feel like you are part of it all. As for the overall message, I didn’t get it. For me, there should be at least something to hold onto and takeaway. Since that was absent, the weirdness has no purpose, It was like Nacho Libre but Nacho had a message: believe in yourself. This one is probably: don’t be afraid to move out when your 50+. In conclusion: this is something very different if you’re in the mood for a laugh at some really raunchy stuff.



Escape from Tomorrow (2013)

Escape from Tomorrow (2013)
Not Rated | 1h 30min | Drama, Fantasy, Horror | 19 July 2014 (Japan)
In a world of fake castles and anthropomorphic rodents, an epic battle begins when an unemployed father’s sanity is challenged by a chance encounter with two underage girls on holiday.
Director: Randy Moore
Writer: Randy Moore
Stars: Roy Abramsohn, Elena Schuber, Katelynn Rodriguez

I watched this weird film last night. I must admit I didn’t stay up late enough to finish it. Maybe I felt like I’d seen enough by 10:30p. It’s shot in black and white and the director is very new. He hasn’t done a whole lot other than this. Most the scenes seem forced, the acting is not too convincing. I really really liked the concept though and would recommend that horror and sci fans watch it.

It’s about a family staying at Florida’s Disney World, visiting the park, riding the rides. All the while, the father keeps being drawn to watching a couple of adolescent French girls who are constantly hugging and giddily riding rides like Dumbo and Space Mountain. Among all this, the father “sees” things differently. For example, a sign with Mickey smiling will suddenly melt into a frown. I really was curious about why but seriously, the movie is SLOW and I gave up. It does get the weird tag from me so that’s a plus. If I wasn’t so tired, I might have finished it.

I read a few reviews on IMDB which were very entertaining and I also read the ending on Wikipedia. If you aren’t going to see this movie but are slightly curious I recommend doing the same, I’ve linked those pages below. Like I said, it’s a cool horror/sci fi concept. The problem is the apparent lack of skill in delivery. HAVING SAID THAT, it is kind of cool as an independent film if you can leave your critical expectations at the door.


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Wikipedia summary of this film.

IMBD user reviews of this film.


Antibirth (2016)

Antibirth (2016)
Not Rated | 1h 34min | Horror | 2 September 2016 (USA)
In a desolate community full of drug-addled Marines and rumors of kidnapping, a wild-eyed stoner named Lou wakes up after a wild night of partying with symptoms of a strange illness and … See full summary »
Director: Danny Perez
Writer: Danny Perez
Stars: Natasha Lyonne, Chloë Sevigny, Meg Tilly

Director Danny Perez has only done this one film. He’s dabbled in a couple other small scale releases. It gives me the impression he is into horror that gets out there into the weird tag. I think directors like this are important! Some social and personal messages are better delivered through “the weird” and this film definitely fits in that category.

It starts with a woman who will take any drug she can find. She’s a pretty young thing, who is also a “tweaker.” Lovely thought right? Natasha Lyonne does a great job with the role, blending the macabre and profane with the plight of your average partier. The gory stuff is there too as she begins to see she is pregnant. She doesn’t know who the father is but it isn’t human, we certainly can surmise later. From there, the story falls to the wayside and it becomes a birthing blood, flesh, and gore fest. Is that anything like birth? Maybe. After all, it’s the entry of new life like Frankenstein right? The visuals are gloriously disgusting. She gives birth to many things including the head in the photo that gets pulled away from the cord connecting it to a full grown body.

This one is one of the more odd ones I’ve seen. I do want to watch it again for any deep meaning I missed. I have a feeling it’s there. My main complaint is that it took too long for the gore to come.



The Double (2013)

The Double (2013)
R | 1h 33min | Comedy, Drama, Thriller | 4 April 2014 (UK)
A clerk in a government agency finds his unenviable life takes a turn for the horrific with the arrival of a new co-worker who is both his exact physical double and his opposite – confident, charismatic and seductive with women.
Director: Richard Ayoade
Writers: Fyodor Dostoevsky (novel), Richard Ayoade | 2 more credits »
Stars: Jesse Eisenberg, Mia Wasikowska, Wallace Shawn

The director Richard Ayoade shook Hollywood with the British film “Submarine.” That was a thoughtful tale set to celluloid quite effectively. I was entertained. But for my money, this one is much much better. I hope to see more from this guy. I have a lot of respect for his choice to interpret a classic novel in this unorthodox yet shimmering way.

This film has two actors who I also respect greatly: Jesse Eisenberg and Mia Wasikowska. Both actors are “in their element” and it’s a pleasure when they grace the screen. There are a host of other actors who make this story vibrant but they definitely make it shine its message with their excellent acting.

Punching a time clock every day, a clerk seems to not be recognized at the beginning of the film. He spends the spanse of the film trying to figure out why. He feels as if he has been erased somehow. What a fitting sentiment for us in 2017. There is another though. I saw it as the alter-ego. He gets all the chicks and promotions but something is wrong. He isn’t real. Who he is makes an amazing group discussion if anyone wants to start on here. I would jump in head first.

The lighting and props are so odd in this film. It’s a delight to be transported back to an undefined time as a cog in a machine The music is excellent. There are times in high suspense when a piano is driving bass notes. That worked so well. Watch it for an odd but stimulating cinema experience, and if you want to find out the right way to jump off a building and live.



Creep (2014)


Creep (2015)
Patrick Brice

as Aaron

Mark Duplass

as Joseph

Directed by
Patrick Brice
Written by
Patrick Brice, Mark Duplass
Other Info

Drama, Horror
Rated R
1h 17min

NOTE: At time of my repurposing this post, “Creep 2” is in the works. But as far as Creep goes: the “found footage” genre strikes again. This time we have a psychotic in our face most the movie. The movie scares because it is plausible.

While we may not be able to divine his intentions, the “creep” does everything in a way that is believable, possible. When blood is shed, we don’t question the possibility.This movie could really happen. The plot is a twenty something dude answers an ad for a job filming another dude. The work is one day and it pays $1,000 cash. I imagine a lot of people could use the money and would therefore show up for an interview. Aaron, played by Patrick Brice, does just that. When he gets to the address, he finds a vacation cabin of sorts, not fully secluded. He soon finds out the motives of the employer and much more than just to film him.

Creep becomes a character study in boundaries in a similar way to “The Cable Guy” where Jim Carrey was the Creep. The difference is, this film is horror. Aaron, played by the actual director of the film, misses several opportunities to escape. It’s almost as if he doesn’t want to hurt the Creep’s feeling. Would you rather hurt someone’s feelings or be killed? I think the answer is pretty obvious. At the same time, we humans hate confrontation and so Aaron, as a human, avoids confrontation and plays along.

I’ve seen Mark Duplass in several movies, my favorite being “The One I Love.” He’s a great actor and his ability to shoot lines like a firehose is shown in this film. He is clearly disturbed but the main character Aaron wants to find out just how much. Ultimately, as Aaron tries to get away, the plot becomes a hunt. I enjoyed the thriller aspect of this film but I wondered a lot why it was tagged horror. There were no dismemberments or zombies. It was just Aaron and Joseph talking through mountains of dialog (most Joseph’s)

I’m really not to keen on the found footage genre. Still, this movie used it well. Everything made sense, that it could have happened and been edited together. It lost a point for not being innovative. How many times have we seen the stalker befriend and kidnap someone? It lost another point for calling itself horror. There is a scene or two you could describe as such, but I think it’s better archived as a draa. Fr those reasons I gave it a 3/5. I recommend it if you can’t find anything else to watch. Trust me, there are plenty of movies I wouldn’t recommend as such, this is a good movie.